The dialectic of transcription and origin in theatrical discourse, (GPS play as a model)

Abstract

Abstract

The research dealt with the conceptual work on the dialectic of transcription and its processes, which are involved in various aesthetic formulas, by tracing the roots of that work on the intellectual and philosophical level and its production of a group of directives that contributed to the formation of cultural discourse in general and theatrical discourse in particular. It also dealt with what the theatrical applications can reveal about performances corresponding to its discourse and related to it. The first part of this paper outlines the methodological framework. The second, the theoretical framework, included two topics, the first goes under the subtitle, "the concept of simulacre / origin", while the second is subtitled, "Version / Original in World Theater Experiences". The third part presented the research procedures; here, the researchers chose (the GPS play) as a model consistent with the research directions and its scientific and methodological nature. The fourth part discussed the results and conclusions. The following are the most prominent research results and conclusions:
research results:

The aesthetic approaches to the concept of copying and its engaging proposals achieved a reading diversity of the many texts intertwined within the structure of the presentation discourse and its cultural and artistic orientations, and their exploitation of the value conflict that calls for different results.
Conclusions:

The dialectic of copying and its aesthetic approaches is one of the rich works at the conceptual level and its intellectual and artistic interviews, especially in the theatrical field, whose applications and theories are closely related to the philosophical and intellectual proposals.