Employing the concept of stylization in the performance of the Iraqi theater

Abstract

Abstract

The research is concerned with studying the concept of stylistics and its representations in the performance of the Iraqi theatrical actor. This topic was chosen for investigation because the concept of laslab (Language and Speech Laboratory) has become a fundamental center in modern theater performances. This research employed the methodological framework of the research problem, which was identified with the following question: What is the stolen performance and its representations for the Iraqi theater actor? It includes the importance of the research, its goal, its limits, and the most prominent terms. As for the theoretical framework, it featured several headings, including Stylistics, Roots, Dimensions, and Actions, in which the researcher shed light on the philosophical and aesthetic dimensions of the concept of stylistics and their applications in the arts and literature. The research procedures included the method and sample of the research and the tool and then the analysis of the sample, which was represented by the plays "reprimand" and "Ahriman". The results and conclusions dealt with the methods that contribute to the development of symbolic body language through innovation, contrast and experimentation in performance