تنوع الفضاء الدلالي والاشتغالي في الملامح الدرامية للسينما الهندية

Authors

  • Mohammed Abdel Jalil

Keywords:

space، cinema، drama، features، functional، Hindi semantic

Abstract

Abstract

Cinema brought together the different peoples of the world and simulated all the arts, as its global productions varied with multiple works with the synergy of the data of the cinematic visual language, which simulated various areas of life in a dramatic diversity that varies according to the type and nature of the film's story, which narrates the aspects of human reality and its imaginations at the realistic and impressionistic level, contributing to the expression of his visions, ideas, feelings and feelings, as well as influencing his positions and issues,  Simulated the reality of Indian life social, political, religious, economic, mythical and others, through a cultural mix reflecting the heritage and folklore of India, and was able to give her formats, trends, methods and artistic types that distinguish her from others, the diversity included films with different contents, as it aroused the researcher's interest in the structural diversity of the film form and the dramatic content of simulating the content in which a group of formats and dramatic methods unite within the construction of one film, so it was a feature that distinguished it from others in the content, which is included in the folds of the search, The goal of the research was to reveal the diversity of the semantic and operational space of the dramatic features of Indian cinema and artistic treatments by employing features and narrative patterns for them, and the researcher relied on the descriptive approach to content analysis being more appropriate to achieve the goals and reach the desired results, and reached a set of results, the most important of which was that the directorial treatment of the narrative body in the Indian film depends on a qualitative diversity that combines comedy, tragedy, violence, action, romance, adventures, crime, thriller and the reproduction of conflicts with the rule of supernatural abilities  For the main characters and the opposite, achieving the element of surprise, anticipation, tension and suspense as a characteristic that distinguishes the Indian film within a single film structur

Published

2024-01-31

How to Cite

Abdel Jalil, M. (2024). تنوع الفضاء الدلالي والاشتغالي في الملامح الدرامية للسينما الهندية. Jordan Journal of the Arts, 16(2). Retrieved from https://jja.yu.edu.jo/index.php/jja/article/view/65

Issue

Section

Articles