Visual vs Virtual Reality and their Relevance to Movie Making

Abstract

Abstract

In this paper, we tried to uncover the stages of the emergence of Arab cinema and its relationship to local and international circumstances. We referred to the links between fictional writing and the language of image or picture, and we also referred to the phenomena separating them. The context imposed the reference to the necessity of art as envisioned by philosophy. Then we showed the role of the director, his technical staff and the writer and his experiences in creating the cinematic work at its best. We also referred to the collectivity of cinematic art and to the individuality of written creativity. Noting that cinema is a combined art of culture and industry, we showed that both of them contribute to the formation of public opinion and play a media role. Then we studied models of cinematic works based on fictional works to show the difference between what is imagined by the author and what is imagined by the director. We also indicated the separation of the horizons of expectation between the reader and the author, and between them and the director and the viewer on the other side. To represent that we used samples of some fictional and cinematic works.