Benefiting from the technology of modern materials and raw materials in the culture of building the artistic painting of the Arab plastic artist

Abstract

This study comes at a time when Arab palstic artists show less concern for their choice of materials and substances used in constructing their artworks. This has manifested in various forms of damage evident in artworks over time. The introduction of modern and readily available materials found in art supply stores has further exacerbated this issue.

This study provides a scientific overview of the construction of an artwork, examining the multiple layers and highlighting the significance of each layer. It emphasizes the impact of the materials used in creating these layers and how they contribute to potential damage. The study also identifies key modern materials that have been incorporated into artwork construction since their development in the 1930s, particularly synthetic resins used in varnishes, color media, and textile manufacturing. It outlines some types of damage that can affect artworks due to the incorrect choices made by Arab artists or their lack of knowledge regarding the potential harms or benefits of these materials, both to the artworks and to public health.

The study also aims to raise the Arab artists’ awareness regarding the importance of raw materials used in constructing their paintings and the significance of making informed choices about these materials. It sheds light on the key aspects of damage that can afflict artworks if not addressed appropriately.

The researcher employs the scientific, applied experimental method to present the results. The study examines some paintings by Arab plastic artists, including pioneering and contemporary figures. The analysis focuses on studying various types of damage affecting these artworks and connecting this damage to the cultural knowledge and construction practices of Arab artists. The study further involves the restoration and conservation of these artworks using the latest materials and equipment. The results of this study, after reviewing the outcomes, demonstrates that the cultural knowledge of Arab artists in constructing artworks was satisfactory for some, but insufficient and not keeping pace with the developments for others.